Alexandra McLaughlin is a self-taught Canadian painter who grew up immersed in the natural beauty of Georgian Bay. After her studies, travels abroad, and an invaluable first career as a paramedic, she returned to the Bay with her family to focus on her art full-time. From her home studio in Midland, Ontario, or while painting on the islands, Alex maximizes her creative time while being the present mother she always envisioned.

Alex’s work is featured in private collections internationally and has gained recognition in her local community. She was a finalist for the BMFA’s Clerkson Award in 2019, participated in the Society of Canadian Artists’ 2023 International Juried Show, and recently held her first solo exhibition at the Georgian Bay General Hospital Foundation in Midland.

Artist Statement

Alex’s current work reflects her deep connection to Georgian Bay, evoking nostalgia and introspection. By painting the water and landscapes of her childhood, she experiences a sense of coming home. Her fascination with the patterns, textures, and interactions in nature drives her to create immersive pieces that invite viewers to connect with the natural world.

Painting water’s changing light has become a meditative practice, allowing Alex to explore perspective and composition. Her process often begins with hundreds of photographs during a single sunset or quick watercolor studies created while exploring Georgian Bay’s islands. These impressions later inspire her larger acrylic paintings, which serve as love notes to nature.

Website: www.alexandramclaughlin.com
Instagram: @artbyalex

Interview with Alexandra McLaughlin

How has your lifelong connection to Georgian Bay influenced your art?
In 2018, I began painting Georgian Bay water reflections, which felt natural and nostalgic. Moving back to the Bay with my husband and two young boys marked a full-circle moment, reconnecting me with the place that shaped my childhood. I spent countless hours on docks, fishing, swimming, and daydreaming, which has deeply informed my artistic process. Today, I continue to explore Georgian Bay with my children, translating those moments into my art.

What inspired you to transition from a career as a paramedic to becoming a full-time artist?
Working as a Toronto paramedic was rewarding but all-consuming. When my family decided to move north, I saw an opportunity to pursue painting—a lifelong passion. Initially, it felt like a sacrifice, but it quickly became clear that this was my calling. Painting offered a creative outlet that fulfilled me in ways I hadn’t experienced before.

Can you describe your process for capturing the changing light and reflections on the water in your paintings?
My process starts with time spent near the water, observing light and reflections. Living near Georgian Bay allows me to capture unique moments, whether from interesting cloud formations or golden-hour light. I rely on my own photography as a starting point but let the painting evolve organically, building layers to create depth and movement.

How do you hope your work fosters greater appreciation and respect for the natural world?
My art highlights the profound connection humans have with water. Inspired by Wallace J. Nichols’ book Blue Mind, I aim to remind viewers of water’s importance to our survival, well-being, and happiness. By sparking wonder and nostalgia, I hope my work inspires conservation efforts and a deeper appreciation for our waterways.

What techniques do you use to convey patterns, textures, and interactions in nature?
I start with color, influenced by time of day, weather, and seasons. Using tinted gesso or an underpainting sets the mood. I love creating texture to draw attention to specific elements and layering acrylic paint to mimic the movement of water. This iterative process ensures each piece captures the complexity and beauty of nature.

How do you balance your roles as a mother and an artist while working from your home studio?
Balance is a constant challenge. Parenthood takes precedence, but as my children grow, I find more time for art. Working from home allows me to integrate my family into my creative process. My kids often witness my progress and even offer critiques, making my work a shared journey.

What do you find most rewarding about creating larger-scale acrylic paintings from your small watercolor studies?
Painting from experience is incredibly rewarding. Plein air watercolor studies capture the essence of a place, offering spontaneity and unique compositions. Translating these studies into larger acrylic paintings lets me tell a richer story and connect with collectors at different sizes and price points.