Featured in the Time Capsule exhibition, Resh Ramrattan creates luminous abstract paintings built through thousands of individual marks, encouraging viewers to slow down, reflect, and engage with the passage of time.

Featured in the Time Capsule exhibition, Anna Wallace creates intimate watercolor works centered on the human hand, exploring memory, loss, and personal reinvention.

Featured in the Time Capsule exhibition, Jade Jwa’s oil paintings explore emotional distance, migration, and psychological ambiguity through quiet, atmospheric figurative scenes.

Featured in the Time Capsule exhibition, Georgina Gray creates vibrant acrylic paintings inspired by Singapore’s wildlife and urban landscapes, blending nature, travel, and playful imagination.

Featured in the Time Capsule exhibition, Allie Sutherland creates subconscious dreamscapes rooted in mythology, architecture, and surrealist automatism, exploring the space between structure and intuition.

Featured in the Time Capsule exhibition, Anna Sobkowiak is a figurative painter whose work explores female portraiture, narrative structure, and evolving perception through colour and light.

Featured in the Time Capsule exhibition, Gina Gwen Palacios uses painting and mixed media to explore Mexican American identity, family history, and cultural memory. Her work reflects on belonging, displacement, and inherited narratives across generations.

Featured in the Time Capsule exhibition, Jeff Dillon creates expressive landscape paintings that balance representation and abstraction. Drawing on observation, memory, and the Canadian landscape, his work explores movement, atmosphere, and the emotional resonance of place.

Featured in the Time Capsule exhibition, Rossitza Todorova creates paintings inspired by the desert's fleeting moments of light, atmosphere, and wonder. Her work reflects on memory, transformation, and the mystery of the natural world.

Sona Lee paints the space between familiar and unsettling. Her surrealist compositions gather fragments of memory and dream into single pictorial spaces where domestic calm sits alongside subtle distortion, and where stability and fracture exist at the same time. Influenced by Minimalism and the aesthetic of emptiness in traditional Korean painting, she uses what is absent as carefully as what is present.

Johanne Bossmann paints without brushes. Working exclusively with her hands, she spreads highly diluted acrylics across raw canvas until the pigment merges with the textile fibers in a process that is, as she puts it, irreversible and honest. The result is a series of ethereal, flowing horizons that function less as landscapes and more as invitations to breathe.

Robyn Palescandolo paints everyday objects as if they are treasures, because to her, they are. Her classical oil paintings combine precise realist detail with spontaneous brushwork, shaped by years of slow living in rural Italy and a belief that the world is filled with wonder most people walk past without stopping to see.

Elen Bezhen paints figures that exist in quiet dialogue with their surroundings. Trained in classical technique and contemporary art in Moscow and now based in France, she builds layered surfaces where stillness coexists with inner tension, and where invented botanical forms speak to fragility, transformation, and the blurred line between nature and the human.

Suzanne V Paddock paints what happens when nine cats and a dog share a house. Her figurative oil paintings capture the situational awareness, quiet negotiations, and everyday moments of her pet community with honesty and humor. It started during the pandemic, and it has not stopped since.

Ofra Ohana paints the sink full of dishes, the laundry piling up, the child eating dinner, and somewhere among the flowerpots, a leopard stalking an antelope. Her domestic scenes hold both the quiet banality of home and the wild inner landscapes that surface within it. This is painting shaped by displacement, motherhood, and an unwavering commitment to finding the essence of the ordinary.

Samir Rakhmanov paints between realism and abstraction, not as opposing languages but as overlapping conditions of the same surface. Whether working from a landscape, still life, or figure, his goal is always the same: to construct an image that feels inevitable rather than merely descriptive.

Chelsea Tikotsky paints the moments that are easiest to miss. Working with a palette knife in oil, she sculpts textured layers of light, color, and emotion into landscapes and botanicals that ask you to slow down and notice what is already there. Her work is a reminder that even in difficulty, there is always light on the horizon.

Viktoriia Melnik paints childhood the way memory holds it, slightly suspended, familiar but just out of reach. Working in oil on canvas under the name NamelessTory, she builds cinematic scenes around gesture, light, and the quiet poetry of ordinary moments that feel as though they could belong to anyone.

Courtney Rae Balson starts every painting outside. Her process moves from meditative field immersion and plein air drawing to layered studio work that captures a particular time and place that will never exist again in its current state. Her practice is both a response to habitat loss and a celebration of what remains.

Marketa Hopkins paints movement, patience, and the gradual passage of time into every brushstroke. In her studio she developed a signature technique that gives her large-scale acrylic works their distinctive visual rhythm, balancing the elegance of darker tones with the warmth and energy of her more luminous pieces.