Karen Knight
Karen Knight’s artistic journey began over fifty years ago, during childhood summer holidays on the shores of Washademoak Lake in New Brunswick, Canada. Using clay dug from a nearby pond, Karen fashioned works of art in her "studio in the great outdoors," then baked them in the family campfire — to the sounds of laughter and music, and the smell of roasting marshmallows.
In 1989, Karen’s creative passions were rekindled, prompting her to pursue studies in sculpture and design at the Dundas Valley School of Art, with clay as her primary artistic medium. After completing her studies, Karen took an eight-year hiatus when the "Knights Two" proudly expanded to the "Knights Four." In 1997, she transformed a struggling pottery program in Guelph, Ontario, into a dynamic creative force — while also continuing to pursue her own fine art and craft.
In 2003, Karen returned to her New Brunswick roots, where she established Soul Impression Handbuilt Clayworks & Fine Sculpture, located at 1509 Rothesay Road in Saint John. Her business is committed to creating one-of-a-kind works of art, including free-form art bowls, platters with a dragonfly motif, salsa dishes, low tide art pieces, and powerful renderings of the human form.
As an educator, Karen has participated in eight Artist-in-Schools programs offered through the Department of Education in New Brunswick. For many years, she has taught ‘Handbuilding in Clay’ at the Saint John Arts Centre. In 2020, Karen was selected to teach the ‘Handbuilding in Clay’ module for the Art4Life Seniors Pilot Project, which studied the impact of creativity on healthy aging.
Karen is a longstanding juried member of Craft NB, has participated in nine exhibitions in this province, and is represented by Gallery 78. Being community-minded, Karen also donates to many charitable organizations.
Artist Statement
A treasured note from my mother to my father contains this five-word description of me as a child: “I can do it myself!” From an early age, I was building and creating things "myself," driven by a desire to understand how things work. Innovation and creativity are simply part of my DNA.
Clay was one of many mediums I dabbled with as a child, but it wasn’t until 20 years later that I fell in love with it and was compelled to make handbuilding in clay my life’s calling.
My clay work is very much an impression of my moral and aesthetic values — my soul. My technical and artistic approach to clay work is inspired, in part, by the handbuilt work of ancient African and Middle Eastern civilizations, the rich handbuilding tradition within indigenous communities in the United States, and the contemporary clay art movement in Australia and North America. These wide-ranging influences have been instrumental in enabling me to create a dynamic style that employs traditional hand-building techniques — pinch, coil, and slab — while elaborating on these in new and striking ways.
I am equally influenced by the natural world, and that often finds expression in the contours and design of my sculptural work. Inspired by “being” in a natural space — observing patterns and form, color and texture, light and shadow — I take what I experience and blend these with my own artistic sensibilities to create art.
The creative possibilities of working in clay are infinite, and it is precisely the versatility of clay as an artistic medium that brings me real joy in my work.
www.SoulImpression.com
