Nasim G. Pachi
Nasim G. Pachi is an Iranian-German contemporary painter whose work confronts culture, religion, and the restrictions they impose, particularly on women.
Her monumental canvases are richly detailed, contrasting the female form with intricate patterns of fabric or mosaics. Their enticing aesthetic draws in the viewer, forcing us to reflect on the importance of choice and individuality amid the complex rules of society.
Born in Iran, Pachi studied in Germany and has lived and worked in Europe, West Africa, and Southeast Asia. Her experiences have shown that people and their actions are as complicated beyond Iran’s borders as they are within them. Her paintings investigate this, encouraging both artist and viewer to reframe their identity in a global context.
Pachi's art has been internationally exhibited. She received both her Bachelor’s and Master’s degrees in Illustration from HAW University Hamburg, Germany. She currently lives and works in Hong Kong.
Artist Statement
My work explores the complexities of personal identity, often juxtaposing cultural patterns with the female nude or figures with concealed faces. These richly layered portraits challenge viewers, provoking thoughts on freedom, identity, and gender.
My journey through life—from growing up in Iran, studying in Germany, and working in various countries—has given me different perspectives and fueled my creativity. Experiencing new cultures and societies has inspired me to investigate and reflect on my own identity.
The patterns I incorporate into my art are influenced by the cultural motifs of the countries I have lived in. These patterns are not just symbols of identity; they metaphorically reveal the complexity of human-crafted culture and society, which at times imposes numerous restrictions and pressures on people.
The bare body confronting these patterns represents the natural harmony of a free individual who observes, adjusts, explores, and sometimes defies or protests against such limitations. This individual seeks dialogue and connection.
My preferred medium is oil and acrylic on linen. To create the final sketch for my paintings, I begin by conceptualizing an idea and then bring it to life through a process of photographing and editing numerous shots of my subject. This process can take anywhere from days to years. I prefer to work on multiple paintings simultaneously, as this approach allows me to explore different creative avenues.
www.nasimpachi.com
What initially drew you to art?
It’s hard to say, as my interest began at a very early age. As far back as I can remember, painting has always been a passion of mine. I’ve always had much to express. I faced challenges due to my stutter, and I believe art became a language through which I could convey my emotions.
Although my family was not supportive of my interest in art, I began pursuing it professionally much later, around the age of 24, after completing a degree in another field. After many years of practice, I have come to realize that creating art is not only a means of self-expression for me but also a tool for investigating identity, exploring myself, understanding others, and the world around me.
What elements of your life have ended up becoming a part of your art?
I could name a few, such as duality and identity, seeking freedom, experiencing cultural diversity through traveling and living in different countries, and the challenges of being a woman and a mother.
What about your practice do you find the most fulfilling and/or energizing?
Creating art has significantly contributed to my personal and professional development. Beyond growth, the connections and friendships I’ve made are invaluable.
Cultural exploration and venturing beyond familiar borders—both geographically and artistically—invigorates me. Impact—whether on an individual or societal level—is something I recognize, and I believe my work can leave a lasting impression.
Creative freedom, the liberty to express myself, and the ability to explore my innermost thoughts are energizing.
Legacy is also important to me—knowing that my work can outlive my physical presence gives me a sense of perpetual existence.
Tell us about your experience getting to where you are now. What has been the most important thing you’ve learned?
Reflecting on my journey to this point, the most crucial lesson I’ve learned is that the path is not straightforward. I’ve come to realize that allowing myself to grow is essential; it’s important to embrace my authenticity and take risks. Experimenting with various approaches is necessary, as my path—or your path—may differ from that of another artist, since we are all unique individuals.
Growing your community and connections is vital. Maintaining consistency is important; when you’re continually creating and expressing yourself, the art world can’t overlook you.
How has ‘community’ impacted your artistic practice?
For me, a supportive community has been crucial in inspiring the creative process, fostering collaboration and engagement, and providing a platform for social interaction and cultural expression. All of these elements contribute to artistic development and success. Additionally, this community has allowed me to connect widely with fellow artists, art enthusiasts, and collectors.
