S. Manya Stoumen-Tolino is known for her expressive, gestural paintings which reflect her philosophy on living and fascination with organic life. Existing somewhere between representational and non-representational abstraction, her work lives outside of the confines of any particular movement or time period. Born just outside of Philadelphia, Manya’s love of art led to undergraduate studies at the University of the Arts (Philadelphia College of Art) and graduate studies at the University of Pennsylvania in Painting where she earned an MFA and BFA respectively. Early in her career, Manya spent several extended periods of time working independently in Italy. The time spent studying many great works around her solidified her love of the figure, light and transcendent narratives. Following her love of movement, she worked as a fitness professional and coach while raising children and maintaining her daily studio practice. Though she has made limited works available to the public, Manya’s work is included in many private collections. Manya’s primary studio is currently in Maryland where her artistic journey continues.

Artist Statement

“My mission is to create art that vividly captures the forces shaping life and to craft altars to its evolution. Rooted in a profound fascination with organic life, I strive to express the elusive, unspoken influences that impact our existence. Inspired by certainties and mysteries surrounding life's origins alike, survival, and the anticipation of what's next push me to look deeper. Expressionistic in nature, with strong gestural elements and an attention to surface tension and light, my work delves into the realm of wonder, providing viewers with a reflective space to sense their connection to their own dynamic, ever-changing world filled with mystery and awe. Known primarily for my highly visceral paintings, I feel as if I am channeling the ceaseless ebb and flow of life’s cyclical journey, I invite viewers to connect with the rhythmic dance of nature and recognize the resilience embedded within its graceful, constant change. Through my art, I offer a meditation on change, renewal and to celebrate life’s rhythmic, resilient dance.”

www.manyasart.com

What initially drew you to art?

Like many artists, I’ve always felt the need to create. As a child, I was often left to my own devices. My siblings were 5+ years older than me, and occupying myself provided me with the freedom to discover places I could come and go to freely. I found inspiration, joy, and solace in the art and music I was exposed to. My mother was an opera singer, and much of the drama in my works may be due to having her as my first artistic role model. Observing and responding to the world around me—gesture, movement, light, and color—provided me sanctuary and joy. Creating took me out of the ordinary, as it continues to do to this day.

What elements of your life have ended up becoming a part of your art?

My life and art have become inseparable over time, with various experiences shaping my artistic journey. Choices like moving to Italy early in my career and prioritizing the development of my work over public exposure have left their mark. Mirroring the process of my work, all events, known or unknown, have had to occur for this particular result to come to life.

I have always been fascinated with movement, change, and the cyclical nature of life. While my children were young, it made sense for me to maintain a flexible schedule and continue my studio practice. Thus began a long period of working in isolation. I was drawn to kinesiology and how humans move, which led me to become a strength and conditioning coach. Initially, this was a way to balance motherhood and my art practice. However, it deeply enriched my understanding of movement and added layers to my artistic expression that observation alone couldn’t provide.

What about your practice do you find the most fulfilling and/or energizing?

The most fulfilling aspect of my practice is the profound connection and catharsis it offers, allowing me to express myself in a pure and direct manner, transcending words. At its best, I feel like the work is creating itself and I am merely a conduit. There are few words to describe it accurately.

Tell us about your experience getting to where you are now. What has been the most important thing you’ve learned?

My journey has been filled with challenges and growth. I realize how fortunate I was to have access to and learn from many wonderful artists early on. I had the great fortune to study with Neil Welliver and Warren Rohrer—two very different painters with profoundly different perspectives. They emphasized nurturing one's unique vision and shielding it from external pressures. This trust and certainty were critical during years of working in isolation.

The most important lesson I’ve learned is the value of perseverance and self-belief. Doubt and adversity are merely passing ships. When inevitable questioning arises, I look to the work first and try to ignore all other voices.

How has ‘community’ impacted your artistic practice?

Community has been pivotal, providing support, inspiration, and opportunities for collaboration and feedback. Before the pandemic, I began re-engaging with art communities after years of isolation. During the pandemic, online communities became a vital resource for information, feedback, and encouragement.

Notably, joining the Art Next Level program provided tools and insights I lacked, helping me take my work into the world. Locally, I’ve found inspiration and camaraderie as a member of TAG/The Artists Gallery in Frederick, MD. This artist-owned gallery emphasizes excellence in the arts, fostering connections and insights that have strengthened every aspect of my practice.